![]() I also messed with the dewdrop extensions for 20 minutes or so, these simplify coding in SC significantly and I can’t really see a downside to using them yet. In my quest to find a gui for sequencing my SuperCollider work the morning was spent faffing with ixiQuarks and Hadron plug ins for SuperCollider, all though some beatifull ideas exist in these things there instability on my linux setup means I’ll most likely end up spending a lot of time trying to represent the objects icreate in supercollider graphically (hopefully processing sketches). I’ve done a post about whether not this all a good idea or not here. Fingers crossed adapting that code to read in the all inputs shouldn’t be too difficult. I’ve had to brush up on bitshifting to understand it. Understanding the code we intend to use to read the encoders has been a bit of a journey. The buttons on the encoders will be coming in via two R-2R resistor ladder networks. We’ve tested two pieces of code and can reliably distinguish between left and right turns on the encodersĪ shortage of pins means we’ll have to a fair amount of multiplexing.Ĭurrently the plan is to use two M5451 to drive the leds and four MCP23016 chips to read the encoders. Me and a friend spent most of the evening researching what we’ll need to do to attach 16 rotary encoders with switches attached and 16 rgb leds to an arduino. This all probably achievable with whatever chorus you happen to have handy but I was surprised how effective the process was in renoise. Create craziness, add extra fx and forget about tuning them as your pleased by the weird melodies(?) and bizarre effects that are appearing as you turn up the sliders. to tune a note how can this be done easily in renoise? those are tiny knob increments.) Wonder how on earth you’re going to tune them.Marvel at the wonderful plucky string sounds you’ve created.Plonk a few of your clicks strategically on the track with chorus.Set a chorus up so that the rate, depth and delay knobs to really tiny values.Either the start of a waveform or draw one using the draw tool. This is a silly way to do karplus strong type synthesis stuff with a chorus in renoise: I’ve surprised myself with some of the wierd stuff I’ve managed to come up with in it. The only only other stuff I’ve done is mess around in renoise again for a bit. Fingers crossed we’ll see the octinct finished in and a prototype for the knob thing done in a week or so. Luke and I finally got round to ordering the parts we need to complete the octinct and also build out device with sixteen knobs.
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